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Alison Acord, soprano, lecture recital, Saturday, May 2, 2015

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Alison Acord, soprano, lecture recital, Saturday, May 2, 2015

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dc.contributor.author Acord, Alison
dc.coverage.spatial Knox Presbyterian Church en_US
dc.coverage.temporal 2015
dc.date.accessioned 2015-09-10T16:06:02Z
dc.date.available 2015-09-10T16:06:02Z
dc.date.created 2015-05-02
dc.date.issued 2015-05-02
dc.identifier.uri http://hdl.handle.net/2374.UC/745232
dc.language.iso en_US
dc.publisher University of Cincinnati. College-Conservatory of Music
dc.relation.ispartof CCM Programs
dc.relation.ispartofseries Student Artist Series en_US
dc.subject Doctor of Musical Arts en_US
dc.title Alison Acord, soprano, lecture recital, Saturday, May 2, 2015 en_US
dc.title.alternative The correlation between the transition of Arnold Schoenberg’s painting from representative to abstract and his musical transition from functional dissonance to atonality en_US
dc.type Archival Material
dc.contributor.performer White, Manami
dc.contributor.performer Kiradjieff, Amy
dc.contributor.performer Dragan, Leslie
dc.contributor.performer Guth, Tom
dc.contributor.performer Haan, Christina
dc.description.notes In partial fulfillment of the requirements for the degree of Doctor of Musical Arts en_US
dc.publisher.digital University of Cincinnati. Albino Gorno Memorial Music Library
dc.publisher.OLinstitution University of Cincinnati en_US
dc.publisher.OLrepository University of Cincinnati. Archives and Rare Books Library


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